My professional history is closely linked to two decisive encounters: that of my husband and that of my own desire to evolve, just as my daughter was coming of age.
Over the years, I’ve been lucky enough to take part in some extraordinary events.
In Gstaad, invited by Bulgari, I drew for a private presentation of haute joaillerie. A monumental snowstorm accompanied my arrival, after a train ride from Montreux to Gstaad – one of the most beautiful rail routes in the world. Here, Bulgari was presenting exceptional pieces to some thirty clients in a palace suite. The creations had no price limit. Being surrounded by these marvels, observing them, touching them, sometimes wearing them and drawing them, was simply unreal.
Fendi also invited me to Riyadh to host the opening of their boutique in Saudi Arabia. The country was just beginning to open up, but it was still a very special experience. I mainly drew veiled women. Some agreed to reveal themselves in a private room to be drawn, while others showed me photos on their phones, often very filtered. The experience was as surprising as it was unforgettable.
In 2023, we moved from Miami to New York. New luxury houses, such as Buccellati and Chanel, began to take an interest in my work. Drawing in the Chanel apartment in the 57th Street flagship is a unique experience.
In 2024, On Location invited me to draw for a fortnight during the Paris Olympic Games. It was an extraordinary moment. At the same time, I had the honor of drawing for Warner Bros, which had privatized the Louvre to offer its actors, producers and guests a unique experience around the Olympic Games.
Drawing these personalities live, after strolling through an almost empty Louvre, facing the works of Delacroix and accompanied by an opera singer, is one of those suspended moments that mark a career.
Last year, and again this year, I’m also drawing for a major luxury house partnering the Formula 1 Grand Prix in Miami, as well as in New York for the Football World Cup.